As such, the Phoenix pair have since traveled the world, from the Shanghai World Expo in 2010 to Massachusetts MOCA to St. John's Cathedral in New York in 2014, before heading out to hover over the timeworn canals of Italy for the 2015 Venice Biennale. This complicated installation required a complete reworking as the first edition hangs in one chain. The Queensland Art Gallery acquired the work in 1994. In keeping with his previous work with calligraphy, which challenged the audience's preconceived ideas about their surroundings whilst maintaining a reverence of tradition, Xu Bing's Background Story series employs traditional Chinese aesthetics to promote this same inquisitive mindset. Culturally, he explores his identity as both Chinese and American, bridging the gap in some examples through writing out simple nursery rhymes in this format, and in others poignant slogans about freedom of expression. Xu Bing was born in 1955 in Chongqing, China, and grew up in Beijing. Xu does, however, maintain an appreciation for the country's long cultural traditions through using powerful mythological figures, still revered to this day. The Metropolitan Museum of Art. With multiple levels of meaning attached to Background Story, Xu Bing primarily prompts us to question our surroundings, as he did in his calligraphic work, so that we are continuously aware of what is real, and what is merely a mirage - he wants us to realize that our external world, contrary to our belief, is ever-changing and transformative. The Phoenix Project marks a transition in Bing's artistic career. ", Books and scrolls printed from carved wood types, ink on paper - Eslite Gallery, Taipei, Taiwan. Upon Xu Bin's departure, Book from the Sky was not shown again in China for nearly 20 years, despite multiple international installations of the work. In Dragonfly Eyes, Xu moves beyond the symbol of the camera to the technology itself, to reveal the mass consumption of other people's lives through an all-seeing government operation built on a public interface. "The imagination and beauty of the installation, as well as Xu's serious approach, were often commended," art historian Stanley K. Abe describes in his 1998 … Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Find artworks by Xu Bing (Chinese, 1955) on MutualArt and find more works from galleries, museums and auction houses worldwide. Installation view at Blanton Museum of Art, The University of Texas at Austin, 2016. A fictional thriller, Dragonfly Eyes is a feature-length film, but created using no crew, props or actors. New York. The Frye Art Museum is proud to present the US premiere of Dragonfly Eyes (Trailer), a work in progress which will culminate in the first full-length cinematic feature by renowned Chinese artist Xu Bing.The film eschews camera operators and on-screen actors, and instead employs publicly available video surveillance footage of everyday life. This installation comprises a set of 4 hand-printed books, as well as wall and ceiling scrolls printed in the style of a wood letterpress. Xu Bing is among a generation of artists, including Ai Weiwei and Gu Wenda, who experienced the Cultural Revolution first hand during their youth and transmitted that experience through their art. A direct response to 17th-Century painter Wang Shimin, Background Story Seven turns the mundane and the discarded into the elegance and tranquility which was so respected in Chinese landscape painting during the country's imperial past, and it is China's history that Xu Bing repeatedly connects with in his work, no matter how diverse its materials or style. Tobacco Project: Richmond. After visiting for initial research, however, Xu Bing was not inspired, but appalled by the disparity of the wealth of the buildings and the working conditions for the migrant laborers, many of whom lived on the site. The second edition hangs in four strands and each strand had to be reconfigured. He explains that his works “are all linked by a common thread, which is to construct some kind of obstacle to people's habitual ways of thinking—what I call the ‘cognitive structures’ of the mind.” The Allure of Matter brings together works, many monumental in scale, that draw on a range of unique and humble materials, from plastic to water, ash, hair, and silk. The work is a massive installation of hundreds of volumes and scrolls printed with 4,000 imagined Chinese characters, which … Focusing on drawing and printmaking, Xu earned a BA in 1981, as well as an MFA in 1987. However, his meticulous positioning and stylistic play with the letters has rendered words into the square shapes which characterize the aesthetics of Chinese calligraphy, with the works speaking "to the problems [he] encountered in a foreign country" Still affected by the linguistic upheavals of the Cultural Revolution, Bing here explores our perception of language further, whilst incorporating his experiences with learning English. Kai Yin-Lo comments on this by observing that, "while well versed in tradition, and in the culture and mores of the Communist regime, Xu Bing also poses cerebral and representational challenges to their validity and values." A second Chinese-language publication will be produced in collaboration with YT Pictures, entitled Art 101: Xu Bing. The exhibition explores how conscious material choice has become a means of expression for Chinese contemporary artists working over the last four decades. The book is the first in YT’s “Art 101” series, which centers on a set of questions posed to artists, helping them to relate better, and be more relatable, to readers. Art for the People; Ghost Pounding the Wall; Stone Path; Purple Breeze Comes from the East ; Ergo Dynamic Desktop; The Well of Truth ; The Glassy Surface of a Lake ; ... Xu Bing Phoenix (MA) 2008 - 2010 / 2012 2011. The Book from the Sky is one of the most intriguing Chinese art installations of the century and the nifty work of none other than the celebrated Chinese artist Xu Bing. Exhibited "Book from the Sky: a work by Xu Bing" PUAM, February 15-May 18 (extended to July 14), 2002 Where previously influenced by the upheavals experienced during the Cultural Revolution, his work now focused on contemporary social concerns. The Metropolitan Museum of Art. Metallic debris from construction sites - Mass MoCA, Massachusetts, USA, Since 2008, Bing has experimented with increasingly less traditional methods and materials of communication. See more ideas about chinese contemporary art, chinese art, bing. The illusionistic works challenge the viewer's perception. Xu Bing actively encouraged input from the laborers and he, or rather they, turned the discarded into the majestic, using metals and debris sourced at numerous sites across China into a pair of towering sculptures of the mythic phoenixes, one reaching 100-feet in length, and the other 90 feet, with a combined weight of 12 tons. Xu Bing is known for pushing political and social boundaries within his culture. [Internet]. Instead of turning away, the artist used the project as an opportunity for transformation. Instead of ink on paper, Xu Bing has placed plant fibers, hemp, paper and other debris against a frosted glass screen, backlit to transform these ordinary materials into something majestic. As part of cultural reform, the Maoist government simplified written Chinese, whilst also diverging from the subtlety and delicacy of its traditional use in their propaganda slogans, which were direct and aggressive. Courtesy of Xu Bing Studio. The installation of the work allows the viewer to go behind the work and see behind the illusion. Unfortunately, the developers were not pleased with the artist's choice of materials, and underlying social critique, and refused to accept the finished work. Chinese Printmaker, Calligrapher, Installation Artist and Filmmaker, Made up of 4,000 hand-carved and printed characters, Book from the Sky remains Xu Bing's most iconic work to date. The Philip and Patricia Frost Art Museum. Xu Bing is a contemporary Chinese installation artist and one of China’s best-known creative figures. However, realizing the nonsensical nature of the characters redefines this feeling of calm into bewilderment. More interesting than the narrative he contrives from the curated footage, is the technique through which the story is told, and the revelation of just how intrusive public surveillance has become. One of the most important contemporary Chinese artists working today, Xu Bing investigates the limitations and corruptibility of language by creating artworks that put words to absurd ends, sometimes fabricating nonsense languages that seem persuasive on first glance, other time bringing Chinese characters to inert life as sculpture. It thus serves as an intermediary form of communication and exchange between the two languages. First realized in the form of a 604-page, 4-volume book, Xu Bing replicated its content to become an immersive installation piece. In 2012, he published Book from the Ground, an oppositional treatise from Book from the Sky (1987), instead of a book that nobody could read, Xu Bing created a book for everyone. 1955). See available prints and multiples, works on paper, and installation for sale and learn about the artist. Pioneering Chinese contemporary artist Xu Bing creates powerful, poignant mixed-media … Bing's latest work continues to comment on a rapidly changing society but moves far beyond traditional artistic media. As the work was reinstalled in the fall of 2018 for a major retrospective for Xu Bing, the monumental work was described as defining the post-Mao period in China, "it evokes the doubt - that old and cherished signifiers had lost their referents - that prevailed among intellectuals in post-reform China, many of whom pored over the work, obsessively looking for a single, real character. ", Print on paper - Eslite Gallery, Taipei, Taiwan. New York. The small, 112-page book is simply designed, with rows of arrows and symbols leading the reader through a day in the life of "Mr. Black," a generic character who fits neither generational nor cultural categories. The owners of Château Mouton Rothschild, Philippe Sereys de Rothschild, Camille Sereys de Rothschild and Julien de Beaumarchais de Rothschild, commissioned the label for the 2018 vintage from the Chinese artist and writer Xu Bing (b. "Book from the Ground transcends culture, and it is modern and international," explains Bing on his intention to create a work capable of crossing of traditional cultural boundaries. It exemplifies the intrusive and omnipresent culture of surveillance that exists, across not only China but across the globe. Only now, he demonstrates how easily the actions of individuals can be manipulated to create a false narrative, just as language once was. Co-presented by the Smart Museum of Art … Needless to say, this has challenged...a lot of philosophical, legal, and moral concepts." In his youth, Bing's experience of language was one of two worlds - at home, he practiced the fine art of literati calligraphy which was so respected by Imperial Chinese values, whilst in his capacity as student and worker, he created banners and posters in the government's simplified, direct style. The viewer must confront and overcomes their initial assumptions over the course of experiencing this work, as the transition from the front to the rear of the piece takes us from what is known and recognizable to a wholly unexpected understanding of its essence. The artwork for the 2018 label reflects the artist’s work on the illusory splendour of appearances as manifested by his Square … ©2021 The Art Story Foundation. 1987–91. The second edition hangs in four strands and each strand had to be reconfigured. The artist observes that, "in general, society is shaped by new technology. When approached from the front, the work appears as if the artist has mounted a large-scale monochromatic, traditional Chinese landscape painting on a light box. Xu grew up in Beijing, where he began his studies in the printmaking department at the Central Academy of Fine Arts in 1977. In 2007, as Xu Bing returned to China from the United States, the work was included with "'85 New Wave: The Birth of Chinese Contemporary Art" exhibition at the Ullens Center for Contemporary Art in Beijing. One of my favorite artworks is Xu Bing’s 1st Class (2011), a rug made from half-a-million cigarettes.They stand leaning against each other on the floor to form a 40-by-15-foot “tiger pelt,” the stripes changing from tobacco-brown to filter-orange as you move around the piece. This complicated installation required a complete reworking as the first edition hangs in one chain. Both following and questioning this "venerated tradition" is a constant theme throughout Xu's works up until the early 2000s, stemming from his scholastic upbringing, and his appreciation of the physicality of books and writing which he learnt through spending days on end in Peking University's library reading rooms, where his mother would send him while she worked. Instead it is composed entirely of surveillance footage, framing the story of its female protagonist Qing Ting ('dragonfly' in Mandarin), who leaves her life as a nun behind to work in a milk factory, and is then followed across various other urban locations, at the same time chronicling a love story between herself and an ex-colleague. He explains that his works “are all linked by a common thread, which is to construct some kind of obstacle to people's habitual ways of thinking—what I call the ‘cognitive structures’ of the mind.” He is known for his printmaking skills and installation art, as well as his creative artistic use of language, words, and text and how they have affected our understanding of the world. Approaching the five-foot-tall piece, small clues suggest that things are not as simple as they first seem; instead of the traditional ink work on paper, objects appear to visually fall behind the surface of the paper. The work is a massive installation of hundreds of volumes and scrolls printed with 4,000 imagined Chinese characters, which … Find artworks by Xu Bing (Chinese, 1955) on MutualArt and find more works from galleries, museums and auction houses worldwide. Film - Frye Art Museum, Seattle, Washington, USA, Content compiled and written by Amy McCaffrey, Edited and revised, with Summary and Accomplishments added by Molly Enholm. Xu Bing, “Book from the Sky,” ca. What is consistent in his work through the 1980s and 1990s is a connection with China's deeply-rooted scholastic traditions, something which he was taught by his intellectually-minded father in private, despite the external transformations of the Chinese language which were being implemented by Chairman Mao. However, these sculptures ask the viewer to look beyond traditional Chinese iconography to find additional layers of meaning, such as the opposition of civilization and the natural world. New York. Today Art Museum, Beijing, China 2004. Linguistically, he creates a new form of writing, which on a personal level helped him to understand English as a new lexicon, though on a larger scale could help others to dilute the perceived distances between the West and East. "Brush and Ink: The Chinese Art of Writing," September 2, 2006–January 21, 2007. "When I discovered Xu Bing, I was captivated by him as an inventor of signs endowed with … After years of preparation, he created Square Word Calligraphy, which he often calls New English Calligraphy as he transforms English words nearly beyond recognition in the style of Chinese characters. Excuse  Me  Sir,Can  You  Tell  Me  the  Way  to  Asia  Society? Xu Bing. In this newest phase of artistic experimentation, Xu Bing poses an unnerving question that plagues contemporary post-industrial societies: Who is watching us? In 2004, Xu Bing embarked in a new direction, moving away from his language-based works with a series, titled Background Story, of mixed-media installations. The artwork for the 2018 label reflects the artist’s work on the illusory splendour of appearances as manifested by his Square … 2011. Background Story 7. The wall panels, hanging scrolls and books which create the space conjure an atmosphere of almost religious sanctity and safety, with the whiteness of the paper evoking a purity of spirit, and their neat rows of black print permeate an aura of authority and knowledge. Employing traditional methods of … All Rights Reserved. He also reflects on the generational differences which have gradually de-valued materials and objects over time, stating that his mother "hesitates to throw away even the smallest things," but that now our 'throwaway culture' means much of what could be useful goes to waste. Xu Bing: El Pozo de la Verdad/The Well of Truth. Pioneering Chinese contemporary artist Xu Bing creates powerful, poignant mixed-media installations, in which he subverts systems of language, upending expectations and perception. From the front, the piece very much resembles a traditional Shan Shui (Landscape) scroll painting, with images of mountains, trees, and rivers. Britta Erickson, "Mistrust of Language and the Book from the Sky" in her Words Without Meaning, Meaning Without Words: The Art of Xu Bing (Seattle: Arthur M. Sackler Gallery, and University of Washington Press, 2001), p. 33–45. "Brush and Ink: The Chinese Art of Writing," September 2, 2006–January 21, 2007. Installation of books and scrolls printed from carved wood types of invented characters, ink on paper, dimensions variable. Xu Bing is a Chinese contemporary artist, born in 1955 in Chongqing, China. With its universal aspirations, it suggests an optimistic embrace digital and mass communication as a means to achieve linguistic harmony. 1999-2011 Living Word. In his series Background Story, Xu Bing uses unusual materials in order to create a deceptively typical Chinese Scroll Painting. "Xu Bing Artist Overview and Analysis". 1955). Xu Bing has successfully built his international reputation as one of the leading Chinese avant-garde artists for his custom-designed Chinese calligraphy and other well-received series. The owners of Château Mouton Rothschild, Philippe Sereys de Rothschild, Camille Sereys de Rothschild and Julien de Beaumarchais de Rothschild, commissioned the label for the 2018 vintage from the Chinese artist and writer Xu Bing (b. However, things are not as they first seem - Book from the Sky is, in fact, a collection of meaningless glyphs, imagined characters created by the artist to trick the viewer. May 20, 2014 - Explore Idmen Liu's board "Xu Bing", followed by 2449 people on Pinterest. Book from the Ground represents an innovative and contemporary means of communication and maintains a consistency with the artist's exploration of language. Through May 24, 2015 . The developers envisioned the collaboration with the internationally renowned artist as a crowning achievement to enhance the building's sleek, futuristic design. Xu Bing was born in Chongqing, China in 1955. Over the years, Xu Bing’s work has appeared in high-school and college text-books around the world including Abram’s Art Past – Art Present, Gardner’s, Art Through the Ages and Greg Clunas’s Chinese Art a volume in the Oxford History of Art series. For the Chinese audience in particular, Xu's Book from the Sky is profoundly disorientating. "And of course," he explains in a 2017 interview for Musée magazine, "facial identification is very important in this film, it [is] involved with identity confusions, about what we can or cannot see, about how we can identify the essence. Xu Bing: Tobacco Project explores the production and culture of tobacco as seen through the eyes of one of China’s most innovative contemporary artists.The exhibition combines important pieces from the artist’s earlier projects at Duke University in North Carolina and the Shanghai Gallery of Art in China with new work inspired by visits to tobacco farms, warehouses, and … By creating a written world of nonsense in the guise of an age-old authority, he recreates his own sense of confusion when growing up through changes to language, by which he lived in two worlds, creating Maoist propaganda slogans at school, and being taught the traditional scholastic canon by his historian father at home. Renowned for his use and creation of meaningless Chinese characters, Xu probes audiences to reconsider ideas of calligraphy, symbolism of art and knowledge through language. 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